Corporate headshot prep happens the week before, not the morning of. Confirm the dress code and background color, get a haircut five to seven days out, sleep and hydrate the two nights prior, and prepare one backup outfit. On the day: solid colors, a pressed collar, minimal jewelry, and arrive early enough to stop rushing.
TeamShotsPro is from $29.99 per seat for 8 photos, minimum 2 seats, one-time, with a money-back guarantee. If your company skips the studio, the same preparation applies to each selfie; each generated image takes about 60 seconds.
This page is for people getting company photos. If you only need your own portrait, start with Portreya.
For what to wear at work, see the work headshots guide. For a remote rollout, see company headshots.
The week before
Three things are worth doing days out because they cannot be fixed on the morning. Hair: book cuts and color five to seven days before the shoot so they settle into how you actually look. Skin: if you try any new product, do it now, never the night before. Wardrobe: confirm what the company wants (many corporate shoots specify background color and formality level), then press two options: your first choice and a backup in a different color, because the background or your neighbor's outfit can force a switch.
The night before
Sleep is the cheapest retouching there is: tired eyes and dull skin are the two things photographers spend the most time fixing. Hydrate through the day, go easy on alcohol and salt (both show in the face the next morning), and lay the pressed outfit out. Do not experiment: no new razor, no new products, no drastic anything.
The morning of
Shave or groom facial hair to its normal state, moisturize, and dress after breakfast, not before. Bring the backup outfit, a comb or brush, and blotting paper or powder if you tend to shine under lights. Glasses wearers: clean the lenses and consider anti-glare positioning; the photographer will angle you, but smudges survive retouching budgets. Arrive ten minutes early; the difference between a rushed face and a settled one is visible in every frame.

